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Always among the highest expression of every culture, the arts teach us much about every historical period through its literature, visual arts, music, dance, and drama. Today it is recognized that to be truly well educated one must not only learn to appreciate the arts, but must have rich opportunities to actively participate in creative work. The arts are languages that most people speak, cutting through individual differences in culture, educational background, and ability. They can bring every subject to life and turn abstractions into concrete reality. Learning through the arts often results in greater academic achievement and higher test scores.
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<br /> <br /> A Brief Overview<br /> <br /> I. The Problematic Foundations of Diagnosis<br /> A. The Social Construction of Mental Illness<br /> B. Arbitrary Categories<br /> C. Vague Formulations<br /> D. Validity Issues<br /> II. The Cultural and Historical Relativity of Diagnosis<br /> III. The Politics of Diagnosis<br /> A. Diagnosis as Professionally Self Serving<br /> B. Power, Social Control and Diagnostics<br /> a. General Analysis<br /> b. Gender Bias<br /> c. Ethnic and Racial Biases<br /> d. Socioeconomic Bias<br /> C. Psychiatry and the Construction of Selfhood<br /> D. Religion and Psychiatry<br /> IV. Effects of Diagnosis on Clients, Communities and Culture<br /> A. Creation of Stereotypes<br /> B. Deficit Labelling<br /> C. Bias Toward Psychopharmacology<br /> V. Expansion of Diagnostics<br /> VI. Ex Mental Patients Responses<br /> VII. Alternatives to Diagnosis<br /> VIII. Alternative Treatments
Reconciling Difference: Art as Reparation and Healing<br /> Estelle Barrett<br /> Deakin University <br /> <br /> This paper demonstrates the way shamanism and psychoanalysis are deeply related as first signalled by Claude Lévi-Strauss. It then creates a context in which the question of body and mind, creativity and healing is discoursed in an interdisciplinary manner. An exposition of thinkers emerging from disparate disciplines will be used to show how aesthetic experience (both the production and the reception of art) results in reparation and healing. This relationship is not only relevant in therapeutic terms, but can also be extended to aesthetic practices which involve possible reconciliation of inner and outer conflict. The therapeutic involves an understanding of ways in which aesthetic practices recast western notions of the relationship between body and mind.<br /> <br /> The role of the body and primary processes involved in artistic practices can be understood through various medical and psychotherapeutic processes. These approaches incorporate theories of how the human organism processes the physical and social environment. This is concerned with reconnecting modes of producing meaning to the subject’s vital biology and unconscious processes. As Gerda Alexander (1995) notes, it involves therapies which incorporate music, dance, the visual and verbal arts and which focus on bodily and sensory awareness as integral mechanisms of reparation.<br /> <br /> I.
NETWORK KNOWLEDGE ASYNCHRONOUS LEARNING Full text article I. INTRODUCTION Asynchronous Learning Networks (ALNs) offer new possibilities for study that were not available in traditional learning models. The pedagogical advantages of online collaborative learning are well known [1, 2]. Certain implementations of collaboration are more successful than others. According to Mason and Bacsich [3], the degree of integration of online collaborative learning within a course radically influences its acceptance by students. An ALN makes the collaboration process more transparent, because a transcript of conference messages can be used to assess both the collaborative process itself, and individual roles and contributions to the process [4]. ALN studies call for a greater research focus on the ways peer interaction determine learning outcomes [5, 6]. The Social Interdependence Theory of Cooperative Learning [7] suggests that interaction processes are determined by how social relations among members of the group are designed into the learning environment.
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Les échanges scientifiques entre la France et le Canada se caractérisent par leur diversité et la densité des contacts individuels. Les administrations des deux États qui gèrent la recherche ont pour mission d`identifier et de coordonner les différentes actions en cours. Elles donnent la priorité des moyens aux thèmes de recherches agréés par les deux pays.<br /> <br /> Le présent Aide-mémoire est destiné à guider le chercheur français ou canadien qui souhaite préparer un projet de coopération.<br /> <br /> Un accord spécifique organise la coopération entre la France et la province du Québec. S`adresser au :<br /> <br /> Consulat général de France à Québec <br /> Monsieur le Conseiller culturel, scientifique et de coopération <br /> 25, rue Saint Louis <br /> Québec, Québec G1R 3Y8 <br /> Tél. (418) 694-1798 <br /> Télécopie (418) 692-4545 <br /> ou :<br /> Ministère des Affaires internationales, <br /> de l`immigration et des communautés culturelles<br /> Edifice Hector-Fabre <br /> 525, boulevard René-Lévesque Est - 4ème étage <br /> Québec, Québec G1R 5R9 <br /> Tél. (418) 649-2330 <br /> Télécopie (418) 649-2654 <br /> <br /> Le Consulat général de France à Québec dispose également d`un bureau à Montréal :<br /> <br /> Consulat général de France à Québec (bureau de Montréal) <br /> Monsieur l`Attaché pour la science et la technologie <br /> 1 place Ville-Marie, bureau 2601 <br /> Montréal, Québec H3B 4S3 <br /> Tél. (514) 866-6551 <br /> Télécopie (514) 866-8133
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